Nevertheless As a musical experience, the album is a collectors item since it is difficult to think of many such opportunities to hear two giants from different styles combining so beautifully.ĭo listen to this one, if you get a chance!
Shiv aradhna anuradha paudwal free#
It is my observation that Panditji in his duets with Lataji, has had to curb his free flowing style in order to meet the demands of the co-ordination and track tempo. This is a finale with the two lead singers accompanied by chorus as they chant the praise of Lord Krishna as “Nidhipati Narayan”. Singers: Bhimsen Joshi, Lata Mangeshkar & chorus Lataji of course, does complete justice to the song, as usual. Whereas there are a few who I know have felt that words like “Barso bahut pyasi hoon” are too suggestive to figure in a bhajan album. Some people like the deeper meaning of the lyrics wherein a Meerabai type devotee surrenders to Lord Krishna in her entirety. You will be spellbound by this number.Ī Lata solo – there are mixed feelings about this song. The lyrics describe the playfulness of the boy Krishna who plays the flute melodiously and captivates the gopis like Radha. Panditji starts the opening lines, “Vimukh Shikhar se dhaara…” after which Lataji takes over with her soothing voice, “Baaje re muraliya baaje”. One of my favorite tracks in the whole album, the contrasting styles of the two singers is beautifully etched in this fusion.
Shiv aradhna anuradha paudwal full#
Panditji sings this melodious bhajan with characteristic full throatedness as we learn about Lord Krishna, the merciful who is kindness personified. The many faces of Lord Krishna are described here – whether it is the flute playing Balkrishna with his gopis, or the Krishna who expounded the philosophical Bhagvad Gita to ARjun. The final bhajan in the segment of Lord Ram, the two singers take on the chanting to a new high as your entire being gets soaked in the beautiful and overpowering name.Īs we move onto the next segment, we are greeted by the other Avataar of Lord Vishnu – this of the multifaceted Lord Krishna. A beautiful bhajan guaranteed to immerse you into the devotion of Lord Ram. Bhimsen Joshi is in his element in this solo which combines Lord Ram’s name in various combinations which arise from different contexts. The first duet between Panditji and Lataji, this bhajan expounds the virtues of singing Lord Ram’s name and the benefits accruing from meditating on the purity and goodness of Lord Ram.
The song has references to Tulsidas, Guru Nanak and Kabir as well. Ram is in everything, everything is in Ram. The lyrics are meaningful as the singer espouses the mind to keep meditating on Lord Ram and his divinity.
Lata in this solo excels with every note sung to perfection. This eclectic verse sets the tone for the richness of the album.
The songs are basically a combination of devotional verses in praise of Lord Ram and Lord Krishna written by the noted poet Pt Narendra Sharma. Released by: HMV – now under “Sa re ga ma” brand Let me not degrade the giants or readers at MS or my own review by even contemplating an introduction to these singers, and dive straight into the review of this album. Hence when you have the likes of a Lata Mangeshkar and Bhimsen Joshi coming together for an album, then it can be nothing short of a collector’s item.
When two stalwarts combine their prowess, any pretext is worth it.
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